Spine ends and corners lightly bumped. A nice copy. Dust wrapper is a bit edgeworn and rubbed. ; All of the novels in this omnibus edition have been made into wonderful movies. In "A Room with a View", 'a young girl, Lucy Honeychurch, and her chaperon—products of proper Edwardian England—visit a tempestuous, passionate Italy. Their “room with a view” allows them to look into a world far different from their own, a world unconcerned with convention, unfettered by social rituals, and unafraid of emotion. Soon Lucy finds herself bound to an obviously “unsuitable” man, the melancholic George Emerson, whose improper advances she dare not publicize. Back home, her friend and mentor Charlotte Bartlett and her mother, try to manipulate her into marriage with the more “appropriate” but smotheringly dull Cecil Vyse, whose surname suggests the imprisoning effect he would have on Lucy’s spirit.
A colorful gallery of characters, including George’s riotously funny father, Lucy’s sullen brother, the novelist Eleanor Lavish, and the reverend Mr. Beebe, line up on either side, and this novel unfolds as a delightfully satiric comedy of manners and an immensely satisfying love story.'
'Howards End is a beautifully subtle tale of two very different families brought together by an unusual event. The Schlegels are intellectuals, devotees of art and literature. The Wilcoxes are practical and materialistic, leading lives of “telegrams and anger.” When the elder Mrs. Wilcox dies and her family discovers she has left their country home—Howards End—to one of the Schlegel sisters, a crisis between the two families is precipitated that takes years to resolve.'
Maurice is 'set in the elegant Edwardian world of Cambridge undergraduate life, this story by a master novelist intorduces us to Maurice Hall when he is fourteen. We follow him through public school and Cambridge, and on into his father's firm, Hill and Hall, Stock Brokers. In a highly structured society, Maurice is a conventional young man in almost every way, "stepping into the niche that England had prepared fo him": except that he is homosexual.
Written durring 1913 and 1914, immediately after Howards End, and not published until 1971, Maurice was ahead of its time in it theme and in its affirmation that love between men can be happy.' "Happiness," Forster wrote, "is its keynote. . . . In Maurice I tried to create a character who was completely like myself or what I supposed myself to be: someone handsome, healthy, bodily attractive, mentally torpid, not a bad businessman and rather a snob. Into this mixture I dropped an ingredient that puzzles him, wakes him up, torments him, and finally saves him."; Also listed on web site in trade paperback.